ANTH 401.001

Anthropological

 theory

 

instructor: Samuel Collins

MW, 3:30-4:45 pm

Li-005

office hours:

Mondays and Wednesdays, 1:30-3:00 pm

Room Li-318A

Phone: x3199

(e-mail) scollins@towson.edu

homepage: pages.towson.edu/scollins

 

 

course description

 

Anthropologists ordinarily think of their field as revolving around a body of more-or-less autochthonous ideas: functionalism, structural-functionalism, situational analysis, social drama, etc.  But these are “just-so” stories, testament less to the integrity of anthropology’s intellectual patrimony than to the ideology of its genealogical method.  In fact, anthropological theory, as Hoon Song (2005) has said in a different context, suffers from an “excess of representation,” that is, an over-determination of theory at once both eclectic and neurotic. Understanding this means more than just acknowledging anthropology’s apical ancestors: Darwin, Marx, Durkheim, Weber, Freud.  Together with those, there are occasionally articulated philosophic contexts (phenomenology, methodological individualism, empiricism, positivism, linguistic pragmatism, hermeneutics) as well as almost entirely sublimated theoretical cladistics: temporality (Newtonian, possibly messianic), teleology (Spencerian), subjectivity (Sartre, Levinas), intentionality (Searle, Austin), ontogeny (Piaget), drama (Aristotelian, Brechtian).  But it’s even more complicated than this.  For one thing, theory in anthropology is dynamic, developing in the interstices of the anthropological encounter—a process of continuous revelation.  Within the (colonial) spaces of Melanesian, African and North American encounters, anthropologists have generated theoretical understandings of kinship, exchange, magic, religion, ritual, labor, gender, family and aesthetics that are as illustrative of the self (the imperial contexts of the 19th and 20th centuries) as they are of the other.  Finally, shadowing the neo-liberalism in which anthropologists are simultaneously critical and complicit, anthropologists regularly appropriate theoretical fashions from other disciplines in a perpetual search for novelty: art and literature (modernism, postmodernity), intellectual history (Foucault), the philosophy of science (Deleuze, Serres), cultural studies (Stuart Hall, Paul Gilroy), postcolonial theory (Bhaba, Gaonkar), political economy (Charles Taylor, Giorgio Agamben, Antonio Negri). 

 

What to make of this theoretical “mangle” (Pickering)?   It’s not so much that anthropological theory is a set of Russian nested dolls (матрёшка) than a set of dolls run through a tree shredder, dumped in the ocean, collected along the sea shore and re-assembled according to tables of random numbers.  In any other discipline, this would be cause for alarm, but it is in this “mid-range” that anthropology thrives, theory as a continuous boundary object. 

 

And rather than apprehend this theory through just-so genealogies that make up histories of anthropology, in this course we will instead put anthropology in the role of analysand in a kind of negative psychoanalysis where we deny the false closure implied in “ego”.  That is, rather than arrive at definitive conclusion vis-a-vis anthropology’s theory we will strive to enjoin this messy dialogue and add our own critical voices this polyvocality of theory. 

 

In order to do this, students will need to maintain a high level of engagement: reading, critical discussion, critical reviews, debate.  Given its strident eclecticism, no one can be the unequivocal “expert”—each of us, therefore, will have something to contribute. 

 

Upon successful completion of this course, engaged students should be able to:

 

  • Explain anthropological theory with reference to historical, social, political and cultural contexts.

 

  • Debate current issues in ethnographic theory and practice. 

 

  • Introduce major theorists outside of anthropology who have influenced the course of anthropological theory;

 

  • Communicate insights clearly and effectively in both written papers and oral reports.

 

Required Reading:

Besteman, Catherine (2008).  Transforming Cape Town.  Berkeley: University of California Press. 

Cattelino, Jessica R. (2008).  High Stakes.  Durham, NC: Duke University Press.

Juris, Jeffrey S. (2008).  Networking Futures.  Durham, NC: Duke University Press. 

Kelly, Patty (2008).  Lydia’s Open Door.  Berkeley: University of California Press.

Kelty, Christopher (2008).  Two Bits.  Durham, NC: Duke University Press/

Rofel, Lisa (2007).  Desiring China.  Durham, NC: Duke University Press.

 

Recommended Reading:

Collins, Samuel (2008).  All Tomorrow’s Cultures.  New York: Berghahn Books. 

 

Graded Assignments

Book Reviews (Due on assigned days) Students will each complete 4 short book reviews selected from the six required texts this semester.  Students must do at least 1 book review every month of the course (starting in February) on the readings during that week, but may not do more than 1 report on a single, given text. Each book review assignment will have 2 components: 1) a 2-3 page, written review following standard anthropological formats (see example on Blackboard) to be handed in at the beginning of class and posted on our Blackboard site; 2) an in-class, participatory component in which students lead discussion and participate actively in debate.  75 pts.

 

Book Review Essay (due May 18th). Utilizing at least 2 required texts from class and at least 3, additional readings, students will write a 10-15 page review essay comparing them in the context of anthropological theory.  Examples of the review essay are posted on Blackboard site.  A style sheet for the review essay will be distributed after Spring Break.  75 pts.

 

Final Examination (May 18th, 3-5 pm) Students will demonstrate their knowledge and understanding of course readings and ideas through a comprehensive, short answer examination.  50 pts.  

 

Explanation of Grading:

A+ 186+

A- 180-185

B+ 174-179

B 166-173

B- 160-165

C+ 154-159

C 140-153

D+ 134-139

D 120-133

F <120

 

class schedule:

 

 

 

 

Text

Topics

Historical Contexts

Week 1 (1/26-1/28)

High Stakes, Intro., Chapter 1

Introduction to Course/ Themes

 

Week 2 (2/2-2/4)

February 3: Change of schedule period ends.

High Stakes, Chapter 2-4

US anthropology

Evolutionism

Culture

Capitalism

Cultural Evolutionism v.

Diffusionism

Week 3 (2/9-2/11)

High Stakes, Chapters 5-Conclusion/

Lydia’s Open Door, Introduction-Chapter 2

Modernization and Modernity

Critique of development

Post-colonial critique

 

Culture and Integration

Culture change

Culture of Poverty

Week 4 (2/16-2/18)

Lydia’s Open Door, Chapters 3-6

 

Power

Desire and sexuality

Gender

Historical particularism

v.

Nomothetic Generalization

Culture and personality

Week 5 (2/23-2/25)

Lydia’s Open Door, Chapters 7-Epilogue/ Transforming Cape Town, Intro.-Chp.1

Ideology and Hegemony

Governmentality

Technologies of the subject

Essentialism/ Social Constructionism

Week 6 (3/2-3/4)

Transforming Cape Town, Chps. 2-5

Race and ethnicity

Imagined community

 

Functionalism

Structural-functionalism

Week 7 (3/9-3/11)

 Transforming Cape Town, Chps. 6-9

Cosmopolitanism

Habitus

Moral Economies

Manchester school

Week 8 (3/16-3/18)

Spring Break

 

 

 

Week 9 (3/23-3/25)

Desiring China, chps. 1-3

Frankfurt school

Culture industry

Commodity fetishism

Alienation

National culture

Cultural Studies

Week 10 (3/30-4/1)

Desiring China, chaps. 4-6

Society of the Spectacle

Neoliberalism

Cybernetics/ schismogenesis

Week 11 (4/6-4/8)

April 6: Last day to withdraw.

Desiring China, coda/ Networking Futures, Intro-Chp. 2

Orientalism

Ethnography

Post-structural critique

 

Critique of “underclass” theories

Week 12 (4/13-4/15)

Networking Futures, Chps. 3-7

Multi-sited ethnography

Network society

Assemblage

Resistance

Anthropology and ethics

Activist anthropologies

Week 13 (4/20-4/22)

Networking Futures, Conclusion/ Two Bits, Intro.-Chapter 2

Public sphere

Anthropology of Science

Distributed Cognition

 

 

Magic and Science

Week 14 (4/27-4/29)

Two Bits, Chps. 3-7

Moral economies

Anthropological interventions

Social constructions of science

Week 15 (5/4-5/6)

Two Bits, Chps. 8-Conclusion

Utopia

Cultural Critique

 

Week 16 (5/11)

 

Review

 

 

 

 

 

 

 

notes

1. Although exams and graded work will remain as stated above, I may have to change different

readings or films on the syllabus throughout the semester. I will, in any case, try to give you

ample warning of any syllabus changes.

 

2. Cheating and Plagiarism policy:  Our department has the following policy on academic dishonesty:

The faculty of the Department of Sociology, Anthropology & Criminal Justice take a strong stand against Academic Dishonesty of all forms.  Academic dishonesty will not be tolerated in any class.  It includes, but is not limited to, any form of cheating or unapproved help on an exam or academic exercise, copying someone else’s written work without citation, presenting fabricated information as legitimate, any unauthorized collaboration among students, or assisting someone to cheat in any way.  All students have the ethical responsibility for doing their own work.  A student who is uncertain about whether or not something constitutes academic dishonesty in a particular class has the obligation to see their instructor for clarification.  Consistent with university policy, the minimum penalty for academic dishonesty in any form is determined by the individual faculty member in each class, and may consist of “a reduced grade (including “F” or zero) for the assignment; a reduced grade (including “F”) for the entire course,” or other options as stipulated in Appendix F of the Undergraduate Catalog.  Students who are charged with academic dishonesty must remain enrolled in the course and cannot withdraw.  Instructors who make the determination that academic dishonesty has occurred will notify the student in writing of the finding, the penalty, and the process for appeal.  The same written notice will be forwarded to the Office of Judicial Affairs on campus, the Dean of the College of Liberal Arts, and to the Chair’s Office in the department.  Academic Dishonesty undermines the legitimate efforts of students and involves serious repercussions.  The faculty of the department urge all our students to act with integrity with regard to work submitted.    (Approved Spring 2004)

 

In addition, Students are expected to familiarize themselves with the University’s policy:

http://wwwnew.towson.edu/provost/resources/studentacademic.asp

 

At a minimum, students who plagiarize in this class will receive an “F” for the assignment. 

 

3. Students who have, or suspect that they may have, a disability should seek services through Disability Support Services.  Students must be registered with DSS and receive written authorization to obtain disability-related accommodations.  If you need accommodation due to a disability, please visit DSS for guidance.  The office is located at 7720 York Road, AD 232, Ph: 4-2638 or 3475.

 

4. Students may not repeat this course more than once (make a third attempt at this course) without the prior approval of the Academic Standards Committee.  Please call 4-4351 or visit ES 235 for more information.

 

5. Late assignments: Late assignments will be accepted at ½ credit (1-2 days late) or ¼ credit (3-4 days late).  After 4 days, late assignments will no longer be accepted.

 

6. Make-up Work: Under extraordinary circumstances, documented by physicians, police, etc., students may be allowed to make-up missed work.

 

7. Students who are disruptive may be dismissed from class.

 

explanation of grading

explanation of grading

Consistent with University policy, the following grades will be assigned according to the designated criteria:

A: A superior performance surpassing assigned work in unique and novel ways and

integrating diverse ideas from a wide range of sources in addition to those discussed in class.

A-

B+

B: Excellent work surpassing the expectations of the assignment and demonstrating initiative

and a willingness to move beyond the basic requirements of the assigned work.

B-

C+

C: Satisfactory work meeting all basic requirements of the assignment.

D+

D: Work in some way less than satisfactory. Although conforming to basic requirements in

some way, the completed work is nevertheless not a coherent response to the

assignment.

F: A profoundly unsatisfactory performance which doesn't meet

the intent of the assignment at any level.